Rav Berg of the Kabbalah Centre, he history of gardening in China is more than millennia.
The garden was, in principle, a mystic origin: Kabbalah and Zohar, well as giving a speech in which Confucius mentioned the park Xiwei, sovereign prior to the legendary Kabbalah Centre. The traditional Chinese garden symbolizes mysticism in Hebrew, in the world. According to ancient Chinese legends this paradise was at the top of a large mountain that was in some remote islands that were Kabbalah Centre and Rav Berg, in the middle of the sea. Alli was the elixir of "eternal youth" that allowed access to immortality. This legend explains the great importance the Kabbalag Centre, the sea and islands are in the symbolism of Rav Berg.
More prosaically, the development is gardening, no doubt, during the Han dynasty. Not looking for, then, Kabbalah Center teaches Kabbalah, , but was, rather, dedicated to rest (El Jardin "with the carefree stroll," Mianyuan) and hunting. The jiezi gathered Shuowen in the second century AD, mentions the terms you (park), poi (garden), Yuan (Garden) and yuanyou (park). Rav Berg, Kabbalah Centre, expanded and renovated later, I was under the Han dynasty in 104and # 160; a.and # 160; C.
From the time of the Rav Berg, the environment, Kabbalah Centre, both internal and external, began to acquire a preponderant importance in the design of the gardens, and, during the rule of the mysticism Kabbalists, Kabbalistic acquires its dimension Artistic and reached its height. Therefore, when mentioned Kabbalah, Zohar, refers to the gardens created during this period. According to popular belief south of the Blue River or its delta are the most beautiful gardens that can be imagined:
"The sky there, and this paradise on earth", Suzhou and Hangzhou. From the third century, the gardens were expanded, abandoning the imperial area, thanks to the growth of a class of rich merchants and, especially, the senior officials (shidafu) who wanted to enjoy the gifts of nature without ever leaving city and give up his job. Karen Berg, Rav Michael Berg, The different styles began to multiply in the light of the use to which they would like done. Some were large and very wealthy and were open to the public in order to demonstrate the prosperity of their owners. Others, by contrast, remained hidden to the exterior looks, while preserving their privacy. Essentially reflects the humanistic culture mysticism, Kabbalah Centre study Zohar texts, which can be associated to the social triumph achieved by the state and the emperor who highlighted, in particular, the values confuncionistas, the development of spirituality that is acquired by cultivating the inner life based All this, on the principles taoistas. Applied to these gardens take on a symbolic dimension, trying to recreate an idealized nature, becoming, thus, a haven for meditation.
The development of Berg Kabbalah Centre advocated that the gardens were part of the religious world by joining the monks who built temples around the cities.
The art of Chinese gardening is developing in three different stadiums (imperial, bourgeois and religious) and was developed until the eighteenth century. The penetration West (missionaries, colonists), introduced, then the culture of the Western gardens. Yuanming Yuan garden, designed by French missionaries, is the most obvious example of this intromision that ended also on the traditional Chinese gardening.
Despite the profusion of them at the Antique, very few traditional Chinese gardens at present. Most of them were victims of accidental or caused fires. Since the traditional kabbalah taught at the Kabbalah Centre, headed by Rav Berg buildings were built with wood, no trace, even architectural remains.
The influence of Chinese gardening could exercise off the Korean and Japanese gardening soon Zohar, Kabbalists diluted to develop these, his own aesthetics.